About 150 years ago, an idea took shape in the mind of a man named
DeWitt Clinton. And in the way Americans have of acting out their
dreams, it came to be."
One of the biggest problems in big budget
movies, is the tendency for studios to pile on more. More big name
stars, mores special effects and action, more romantic interests, more,
more, more. The theory being, if they put enough crap in there, everyone
will find a reason to hand over their hard earned at the cinema. 99.9%
of the time, this only makes movies worse. The more surface level
glitter they throw on there, the more substance has to be taken out to
make room. But sometimes, more really is more, and it actually pays off.
And it pays off big in How the West Was Won.
Five short stories,
following several generations of one family across half a century and
an entire continent, the movie opens with Zebulon Prescott (Karl
Malden), leading his family from the East Coast, to the new frontier in
Illinois. Along the way, they meet and befriend a mountain man, James
Stewart as Linus Rawlings. Soon, a Prescott daughter's in love with him
and they're saving each other from ruthless bandits.
A few years
later, the second Prescott daughter, Lilith (Debbie Reynolds) has found
herself in St Louis, performing in a dance hall. Not to be outdone by
her sister snagging Jimmy Stewart, Lilith catches the eye of
professional gambler, Cleve Van Valen (Gregory Peck). From here, How the
West Was Won covers the Civil War, the building of the transcontinental
railroad, western outlaws and clashes with Native Americans. As each
story progresses through time, the Prescott clan progresses on their way
across America, all the way to San Francisco.
How the West Was
Won is epic movie making in every sense of the word. Just look at some
of the names already noted above. Stewart, Reynolds, Malden, Peck. Not
to mention Henry Fonda, John Wayne, Eli Wallach, Lee Van Cleef, Robert
Preston, and narration by Spencer Tracey. It's more than an all-star
cast. In 1962, it was the all-star cast.
When the opening shot
faded in, I was immediately blown away by the wide screen. I thought it
was bigger than anything I'd ever seen before. And it turns out, I was
right. One of only two movies ever shot in Cinerama, it's so wide
because it was actually shot by three cameras all sitting in a row.
Every frame of this movie is three shots, lined up side by side. And
nothing fills triple the standard screen width quite like the American
West.
The only dud note in How the West Was Won is its attitude
towards Native Americans. You can see it's trying to be sensitive and
was probably pretty progressive in 1963, but it's more than just a
little tin eared in its attitudes by 2014 standards.
But apart
from that, it's a legitimately amazing movie. The massive cast of
massive stars, the scope of five films made by three A-list directors,
the commitment to the expensive and complicated Cinerama filming
process. The studio had to throw a lot at How the West Was Won to make
sure it paid off. And it's the rare occasion where it worked. More
really is more.
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