Tuesday, January 17, 2017

A giant mystery: 18 strange giant skeletons found in Wisconsin: Sons of god; Men of renown

Here's one for your "Forbidden Archaeology" file.Scientists are remaining stubbornly silent about a lost race of giants found in burial mounds near Lake Delavan, Wisconsin, in May 1912. The dig site at Lake Delavan was overseen by Beloit College and it included more than 200 effigy mounds that proved to be classic examples of 8th century Woodland Culture. But the enormous size of the skeletons and elongated skulls found in May 1912 did not fit very neatly into anyone's concept of a textbook standard. They were enormous. These were not average human beings.

Strange Skulls

First reported in the 4 May 1912 issue of the New York Times the 18 skeletons found by the Peterson brothers on Lake Lawn Farm in southwest Wisconsin exhibited several strange and freakish features.

Their heights ranged between 7.6ft and 10 feet and their skulls "presumably those of men, are much larger than the heads of any race which inhabit America to-day." They tend to have a double row of teeth, 6 fingers, 6 toes and like humans came in differant races. The teeth in the front of the jaw are regular molars. Heads usually found are elongated believed due to longer than normal life span.

" One must wonder how much can they lift if twice the size of a average human today? Are these the Giants the Bible & many other civilizations have in their history and painted on their walls. The Bible in Genisis 6:4 " There were giants in the earth in those days; and also after that, when the sons of God came in unto the daughters of men, and they bare children to them, the same became mighty men which were of old men of renown. " Now this is faulty logic to any scientist out there because I am using religous/cultural history to fill a hole in science.

Over 200 Giant digs have been found in recent years. Giant skeleton finds have not made the local/national news since the 1950's for the most part. It seems in most peoples opinion do to the fear that people would question evolution . If anything a de-evolution.

In 2002, National Geographic reported a dozen Cyclops skeletons found in Greece that stood 12-15 1/2 Ft tall. That is 3 humans tall. One eye socket. Giants in history are typically cannibalistic in nature. The reason why I am bringing up giants will all tie into politics, and word happenings. Look at a basketball hoop and add 5 feet. That tall. Greek Mythology talks about war with cyclops learning they had to bring down by taking out their legs rendering them slow and helpless. American Giants (Red Hair Giants) where found with egyptian writing on their tombs have been found in multiple locations.



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Mystery of The Wisconsin Giants

Was this some sort of prank, a hoax played by local farm boys or a demented taxidermist for fun and the attention of the press? The answer is no.

The Lake Delavan find of May 1912 was only one of dozens and dozens of similar finds that were reported in local newspapers from 1851 forward to the present day. It was not even the first set of giant skeletons found in Wisconsin.

On 10 August 1891, the New York Times reported that scientists from the Smithsonian Institution had discovered several large "pyramidal monuments" on Lake Mills, near Madison, Wisconsin. "Madison was in ancient days the centre of a teeming population numbering not less than 200,000," the Times said. The excavators found an elaborate system of defensive works which they named Fort Aztalan.

"The celebrated mounds of Ohio and Indiana can bear no comparison, either in size, design or the skill displayed in their construction with these gigantic and mysterious monuments of earth -- erected we know not by whom, and for what purpose we can only conjecture," said the Times.

On 20 December 1897, the Times followed up with a report on three large burial mounds that had been discovered in Maple Creek, Wisconsin. One had recently been opened.

"In it was found the skeleton of a man of gigantic size. The bones measured from head to foot over nine feet and were in a fair state of preservation. The skull was as large as a half bushel measure. Some finely tempered rods of copper and other relics were lying near the bones."

Giant skulls and skeletons of a race of "Goliaths" have been found on a very regular basis throughout the Midwestern states for more than 100 years. Giants have been found in Minnesota, Iowa, Illinois, Ohio, Kentucky and New York, and their burial sites are similar to the well-known mounds of the Mound Builder people.

The spectrum of Mound builder history spans a period of more than 5,000 years (from 3400 BCE to the 16th CE), a period greater than the history of Ancient Egypt and all of its dynasties.

There is a "prevailing scholarly consensus" that we have an adequate historical understanding of the peoples who lived in North America during this period. However, the long record of anomalous finds like those at Lake Delavan suggests otherwise.

The Great Smithsonian Cover-Up

Has there been a giant cover-up? Why aren't there public displays of gigantic Native American skeletons at natural history museums?

The skeletons of some Mound Builders are certainly on display. There is a wonderful exhibit, for example, at the Aztalan State Park where one may see the skeleton of a "Princess of Aztalan" in the museum.
But the skeletons placed on display are normal-sized, and according to some sources, the skeletons of giants have been covered up.

Specifically, the Smithsonian Institution has been accused of making a deliberate effort to hide the "telling of the bones" and to keep the giant skeletons locked away.

In the words of Vine Deloria, a Native American author and professor of law:
"Modern day archaeology and anthropology have nearly sealed the door on our imaginations, broadly interpreting the North American past as devoid of anything unusual in the way of great cultures characterized by a people of unusual demeanor. The great interloper of ancient burial grounds, the nineteenth century Smithsonian Institution, created a one-way portal, through which uncounted bones have been spirited. This door and the contents of its vault are virtually sealed off to anyone, but government officials. Among these bones may lay answers not even sought by these officials concerning the deep past."
Two Giant Skeletons Near Potosi, WI

The January 13th, 1870 edition of the Wisconsin Decatur Republican reported that two giant, well-preserved skeletons of an unknown race were discovered near Potosi, WI by workers digging the foundation of a saw mill near the bank of the Mississippi river. One skeleton measured seven-and-a-half feet, the other eight feet. The skulls of each had prominent cheek bones and double rows of teeth. A large collection of arrowheads and "strange toys" were found buried with the remains.


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Giant Skeleton Discovered in Maple Creek, WI

On December 20th, 1897 the New York Times reported that three large burial mounds had been discovered near Maple Creek, WI. Upon excavation, a skeleton measuring over nine feet from head to toe was discovered with finely tempered copper rods and other relics.

Giant Skeleton in West Bend, WI

A giant skeleton was unearthed outside of West Bend near Lizard Mound County Park and assembled by local farmers to a height of eight feet. More about this can be found in Washington County Paranormal: A Wisconsin Legend Trip by local author and investigator J. Nathan Couch.

While a normal-sized skeleton of a supposed mound builder (the "Princess of Aztalan") is on display at the site of several large pyramidal monuments near Madison called Aztalan State Park, the goliath remains of Wisconsin's giants have vanished along with the hundreds of others discovered throughout the midwest.

Many have accused the Smithsonian Institution of covering up these discoveries, locking the giant skeletons away and depriving the public of their findings.

Saturday, January 14, 2017

Why Hollywood is Dead

Hollywood has no problem being dumb, sleazy and violent. Those are all known and marketable qualities. What it does not look is appearing desperate. Desperation however is what the Oscars of this year and last year have in common. They stink of an industry desperately racing its own age and irrelevance reaching for gimmicks to try and hang on to a younger audience.

The dirty little secret is that Hollywood hardly exists anymore. The industry is bigger than ever, but its bread and butter consists of 200 and 300 million dollar special effects festivals filmed in front of green screens and created in Photoshop and three-dimensional graphics programs. They star obscure or mildly famous actors and they do two-thirds of their business abroad.

America is still the official headquarters of the global entertainment industry, but many of the bigger projects are filmed internationally with foreign money and intended for foreign markets. What the American corporations bring to the table is the intellectual property which is why the latest spasm of mergers and buyouts has focused on taking control of every treasury of classic marketable properties.

Disney has put Star Wars, Mickey and Marvel Comics under one roof. It's impressive from a business standpoint, but bankrupt from a creative standpoint. Old Americana is being milked dry for the sake of turning out another disposable movie starring familiar characters. The movies are actually still the same.

The blockbuster has mutated into its final stage. The "individual" movie is almost dead. Forget Jaws or Raiders of the Lost Ark. The modern blockbuster is seamless and soulless. An impersonal work that renders the director and cast irrelevant. The criticism has been made before, but what is new now is the percentage of special effects and the cost. The more expensive a movie becomes, the more risk averse its producers are.

If a movie is going to cost 200 million dollars to make, then it has to be identical to the other 200 million dollar movies that were profitable. The template is there. All that's left is to plug in another talented Korean, British, Russian or even perhaps American director, and then roll out the same movie with characters from another property.

The movie must have collapsing skyscrapers, massive explosions and a few slumming character actors. What it cannot have is too much dialogue or plot, because those don't translate well. How a movie will play in Topeka or even Los Angeles doesn't matter nearly as much as how it will play in Beijing, Moscow and everywhere else.

Hollywood makes movies on the side. What it really does is manufacture special effects theme parks for other countries whose own entertainment industries are not yet ready for prime time. And the types of movies that it makes can be made nearly anywhere. And will eventually be made anywhere. Tinseltown is pretending to be artistic and creative, even while both qualities are dead as doornails.

These days Hollywood resembles the decline of the British film industry, kept alive by state subsidies and used as a talent base for other countries. At some point, American actors and directors will move on to next conglomeration of capital and audiences in Asia, the way that British actors and directors moved on to Hollywood. The next Hollywood will speak Mandarin. Its executives will buy up American properties and film them in China. The casts will be diverse, the plots will not exist and every movie will be mostly the same. In other words it will be exactly like Hollywood is now.

The blockbuster of 2025 will be Made in China. It will feature 1. Aliens 2. Robots. 3. Buildings collapsing. It will have a pro-China message, but the Western writers hired to insert some topical dialogue for Western audiences will throw in a few relevant lines for the version that is released here. The Indian, Russian and South American writers will do the same thing for their versions.

Hollywood will become the American distribution arm of a new global film industry that can make the same bad movies more cheaply and easily. Its executives will recommend properties for the head office in Beijing to buy up. Occasionally they may even be allowed to make some of their own movies. There will be plenty of nostalgia and the usual tawdry independent movies funded by taxpayer subsidies that you can find in Europe's own buggy whip movie industries.

The big wheels of the industry already know this. But they don't have much of a choice. Hollywood has been frantically chasing the youth market with each new incarnation of entertainment technology. Hollywood spent decades making movies bashing television for competing with it for its audience. Eventually the electronics companies that fielded the first television networks dumped their products into the same pool as the movie studios, but by then the internet had begun to take off. And all the movies demonizing the internet haven't done anything to stop it.

The movie/television/comic book conglomerates are competing for younger audiences against video games and the internet. And the internet is winning. The median age for most of the entertainment industry's products is old. Some of that can be attributed to demographic collection technologies that rely too much on traditional viewership, but much of it is just reality. Hollywood may bring in James Franco or the creator of Family Guy to host its industry party, but that doesn't change how old it is.

The entertainment industry dumbed down its products to the lowest common denominator to target the teenager. And in the process the entertainment industry destroyed itself. Television networks killed family hour to chase upscale twenty-somethings and wiped out their own viewership. Their big brothers destroyed the movie theater by making it indistinguishable from an amusement park ride. The television network model killed networks and the cable networks that adopted that same model are about to get whacked by the collapse of the cable bundle business model. The movie model made the movie easy to reproduce by any country with enough capital and digital artists. These days that's the People's Republic of China.

Hollywood movies are already being made to Chinese specifications, complete with Communist censorship, and that's only the beginning. If China's economy does not collapse, then it will become the tail that wags the Hollywood dog. And Hollywood will be history.

The death of Hollywood would have been a tragedy once, but these days it's almost a relief. It leaves behind a lot of great movies, almost all of them made in the past, and the best proof of that is the compulsive flood of remakes, reboots and reinventions of old properties. The spirit of the industry is gone and all that's left is a shambling zombie picking over its own brains and living off past glories while throwing elaborate industry parties that are little more than an expensive glorified reality show.

 Hollywood is still chasing relevance and the youth market. The theater conglomerates are figuring out new ways to squeeze twenty bucks out of customers in a bad economy to cover their own expenses which include revamping their theaters for youth-oriented gimmicks like 3D. But the problem is that in an economy where the under 20 and 30 crowd is out of work, those gimmicks are struggling to pay for themselves. Add in the high levels of unemployment among minority young males, who are the industry's best customers, and the picture looks even bleaker.

The Chinese kid has some money to spend after getting through a long shift of making iPads or grinding for virtual money in an online game. American kids have less money than they used to and the internet offers entertainment, including the latest pirated movies, for free, often offered by sites run by some of those same Chinese kids.

In this solipsistic environment, does the movie theater even have a future? How much room is there for a business model built around digital entertainment that doesn't run on the internet? Despite the billion-dollar grosses, theater owners are not entirely certain. There's a reason that a thimble's worth of soda and popcorn is so expensive and it's not because movie theaters are doing well. It's because everyone is behind and running up debt.

Movie studios throw fortunes into mediocre blockbusters and then spend the next three years wrangling over the profits, and cheating everyone from the director to the stars to their distributing partners of their fair share. Movie theaters pay out most of the money from the opening weekends to the studios and count on extended engagements to make money, but the modern blockbuster is one opening weekend after another with no extended engagements.

Everyone is deep in debt and counting on a string of hits to bring in audiences and save their business model. Everyone is merging and clustering together to limit the risk, while increasing the drag.

There's no future in that and Hollywood knows it. The industry is locking down intellectual properties because it knows that it's about to turn into Kodak after the digital revolution. An outdated business with nothing to offer except its rights to certain properties that more successful industries will want to make use of.

Hollywood is dead, but its corpse is still trying to carry on with business as usual. The inventive industry that mixed together vaudeville and adventure books into an entire industry that spanned the globe has long ago run out of ideas. Instead it's marking the time, deadening its nerves and doing everything it can to appear youthful. The parties are still being thrown as if the industry has not changed, as if it's still a band of salesmen and theater owners who opened their own studios and made and lost fortunes betting on geniuses and big concepts.

What we think of as Hollywood was a byproduct of the need to fill theaters, but the technology of filling theaters is being broken down on a more sophisticated level, without the need for creativity. What the big computers did to Wall Street, they are also doing to Hollywood. The future isn't a silver screen, it's a behavioral map of the most reliable ways of getting the industry's best customers into a theater to watch a product created in slave-labor countries based on templates that run on numbers, not creativity, even of the three-act kind.

Hollywood's past glories may live on as nostalgia, but it has no future. The industry is history.

Saturday, January 07, 2017

six new Fast Radio Bursts

Astronomy experts with the Green Bank Telescope in West Virginia and the Arecibo Observatory in Puerto Rico have discovered six new Fast Radio Bursts (FRBs) emitting from a region far beyond our Milky Way galaxy, according to a recent report in the Astrophysical Journal.
We don’t know whether aliens will come in peace – or to kill every single living being on our planet
World’s largest fully steerable radio telescope at the National Radio Astronomy Observatory in Green Bank, West Virginia
The discovery — made in the direction of the Auriga constellation — has prompted wild speculation that aliens could be trying to get in touch.
It is significant considering the fact that at least 17 FRBs have now been detected in this area and is the only known instance in which these signals have been found twice in the same location in space.
The region where the signals are coming from, dubbed FRB 121102 by scientists, is located about 3 billion light years away from earth.
Five of the recently found FRBs were detected with the Green Bank Telescope, while the other was recorded by the Arecibo Observatory, “for a total of 17 bursts from this source,” the report says.
The signals were also found earlier this year and in 2012.
According to experts, the FRBs could be the result of two things: solar flares from a neutron star or extra-terrestrials. But it’s still too early to tell.
The confirmed detection of alien signals would be one of the the biggest discoveries in human history

“Whether FRB 121102 is a unique object in the currently known sample of FRBs, or all FRBs are capable of repeating, its characterization is extremely important to understanding fast extra-galactic radio transients,” the scientists write in their report.
In 2015, physicist John Learned — with the University of Hawaii at Manoa — and Michael Hippke, with the Institute for Data Analysis, published a research paper arguing that repeating FRB waves had a 1 in 2,000 chance of being coincidental.
They claimed the radio bursts either came from a man-made spy satellite or a super-dense star, which would regularly emit bursts of radio waves.
Earlier this year, a team of astronomers from Laval University in Quebec published a report saying they had detected strange signals in a small cluster of stars.
Using data from the Sloan Digital Sky Survey, the pair analysed the spectra of 2.5 million different stars and discovered at least 234 that were producing the signals.
“We find that the detected signals have exactly the shape of an ETI [extraterrestrial intelligence] signal,” wrote Borra and Trottier. “Although unlikely…there is also a possibility that the signals are due to highly peculiar chemical compositions in a small fraction of galactic halo stars.”
Earlier in 20156, genius scientist Stephen Hawking said humanity must seek out intelligent life before it finds us – or we could be wiped out.
Hawking, 74, says a technologically advanced alien race could send our vulnerable race the way of the dodo if we’re not careful.

Wednesday, December 28, 2016

Alien Invasion 2017 timeline

April, 2017

  • April 16: An apparent "meteor" traveling at an unusually low altitude flies over Nice, France, before apparently crashing into the Mediterranean Sea. Numerous videos and photos of the incident are uploaded on various social media sites.
  • April 19: A Marietta, GA, couple and their eleven-year-old son are reported missing by worried family members after the three fail to appear at a wedding in New York City and do not respond to various texts and calls. No signs of foul play are found in the family's hotel room. Fellow hotel patrons report hearing or seeing nothing unusual.
  • April 20: A United Airlines 747 en route from Los Angeles to Sydney comes dangerously close to a mid-air collision with an unidentified aircraft somewhere over the Pacific Ocean.
  • April 26:
    • 9:39 AM EDT: The son of the missing Georgia couple is found naked and traumatized in Times Square, and is rushed to the nearest hospital. While being treated for shock, dehydration, and starvation, he is unable to answer repeated questions about his parents' whereabouts.
    • 11:58 PM MDT: 911 dispatchers in Phoenix, AZ, are flooded with emergency calls reporting a "strange creature" prowling in a residential neighborhood. One woman claims that the alleged creature broke into her home, ransacked her living room, and brutally killed her dog.
  • April 27: Thousands of people in Hong Kong gather on rooftops, balconies, and the streets to observe strange lights fly erratically over the city. Similar sightings are reported in the cities of Guanzhou, Nanning, Shantou, Macau, and Meizhou.
  • April 28:
    • Chinese officials cite "abnormal atmospheric disturbances" as the cause of the mass UFO sighting over southern China.
    • Panicked residents of a small, remote village in northwestern India claim that several "demons" attacked their village and kidnapped three young children and a pregnant woman on the night of April 26.
  • april 29: a boat goes missing in the Mediterranean Sea,Greek officials begin searching
  • may 2: Chinese soldiers begin hunting strange creatures in the Chinese countryside; 12 dead,7 in deep trauma
  • may 3: 7 german citizens found to have radiation poisoning after being blasted by a light from a strange ship in the sky
    • messages are sent to every device on earth claiming the human race will be destroyed in a matter of days,mass panic ensues
  • may 5:several explosions are seen in New York followed by four towers collapsing,2478 people dead
    • 4:32 AM Syria: rebel forces engage large grouped of strange creatures armed with laser weapons
    • 6:49 AM Syria: all alien forces destroyed and the body's are took to the USA and Russia to be examined
  • may 10
    • 3:21 PM South Europe: thousands of alien ships and soldiers pour out of the Mediterranean Sea:Greece and Turkey fall
    • 4:30 PM worldwide : thousands of ships come out of the atmosphere and engage American and Russian aircraft
    • 6:56 PM Indonesia:South-East Asia falls
  • may 11: Slovakia and Slovenia fall
  • may 13:
    • 6:46 AM UK: death of David Cameron
    • 7:04 PM UK: fall of Britain
    • 11:38 PM USA: fall of New York
  • may 12: fall of China,Japan and India
    • 5:42 PM Russia: Russia being invaded, launches a last ditch attempt to defeat the aliens
    • 6:26 PM Russia: all Russian military assets put into action and all nuclear weapons launched at the alien fleet,greatly damages alien forces but does not stop them
  • May 13: fall of Moscow
    • 11:06 PM American East Coast: after an alien ship is captured it is revealed what the aliens want to do with the humans; to use human parts to make more aliens
  • may 14: fall of Russia
  • may 15: fall of Europe, making Africa and the west coast of America the last bastions
    • 1:07 PM Australia: fall of Australia and New Zealand
  • May 16: USA: fall of the west coast
    • 2:49 AM global: alien high command declares fighting over moments before all of the alien fleet is wiped out by the American nuclear arsenal
  • may 18: fighting is over and the long rebuilding process begins

Why DVDs are still popular


  1. People weren't ready to move on from DVD to Blu-ray. DVDs started to be used for Films between 1995 and 1999, depending on where in the world you live. Blu-ray was introduced by 2006. Many people by this point, had started to build up a large collection of films, and IMO felt rather annoyed by technology moving on to a new disk format so quickly.
  2. Between 2006-2008 there was a small battle between Blu-ray and HD DVD (mainly fought between the Playstation 3 and the XBOX 360), to which format would be THE high definition format to prevail. Many people, outside of console gamers, were reluctant to purchase a dedicated Blu-ray or HD DVD player due to uncertainty over which would win. Nobody wanted to be left with useless technology and film collection they would be unable to use.
  3. The difference in definition between Blu-ray and DVD isn't all that great, to the average viewer. Especially when viewed on smaller TVs. It does't improve the enjoyment of a film for most people, especially when faced with the prospect of re-purchasing your back catalogue in a new format, which, incidentally, will also cost more than the DVD version.
  4. By this point, many people also had MULTIPLE DVD players in the home. Most people would be reluctant to replace all these. Even if you brought one Blu-ray player for the living room, when purchasing a new film, would you buy one which you can view on ONE of your pieces of tech, or ALL of them?
  5. Steaming technology harms Blu-rays chances of replacing DVDs further. Most people who avoided using Blu-ray in the early days, suddenly saw yet another change in how media content would be delivered to us at home. It made more sense to just start consuming SOME content on-line and the rest through their existing DVDs
  6. LEGAL streaming services actually have quite a limited number of titles available. New releases are often delayed compared to the physical media releases. Combine this with the above points, and you're left with quite a number of people who will be purchasing these films on DVD.
  7. In my experience, finding older, and more obscure/world cinema, is often hard, or impossible on Blu-ray or through streaming services, meaning that its easier, or in some cases, only available on DVD.
  8. Purchasing a Blu-ray player, now, seems a little pointless if you don't already own one, since streaming will only improve and increase in popularity in the coming years. But...
  9. Many people still like owning a physical disk. 
  10.  I have seen on multiple occasions where a friend will put in a Blu-Ray disc only to be told that the Blu-ray player needs a firmware upgrade to play the movie.