For years we knew what a special seed Molly Tuttle was. She won the
International Bluegrass Music Award’s Guitarist of the Year in 2017 and
2018 in an ridiculously crowded field of fellow up-and-comers and wily
veterans, but this recognition didn’t feel like the apex of a career, it
felt like just the very beginning. Wait until she blossomed. We had
decades of dedicated bluegrass to look forward to from this former
family band player turned flatpicking maestro for the ages.
But
that’s not exactly how Molly Tuttle’s career manifested as she made her
way out of the shadows of bluegrass side player gigs and “featuring”
roles. She explored the realm of folk and songwriting, and productively
so, perhaps not wanting to be hemmed in by the sometimes restrictive
world of bluegrass. She wanted to make sure she defined herself, and
opposed to being defined by the expectations of others.
But all
of that changed when she announced the formation of her bluegrass
backing band Golden Highway, and released a full-blown bluegrass album
in Crooked Tree earlier this year. So often when it comes to
highly-anticipated albums, our expectations outpace even the
possibilities of reality. But this was not the case with Crooked Tree and Molly Tuttle. It was everything we wanted and hoped for from Molly Tuttle’s long-anticipated romp into bluegrass.
But
what’s happening now with Molly Tuttle live takes it to even another
level. The demure and reserved girl with otherwise blazing fingers has
let it all loose with Golden Highway, having more fun than she should be
allowed to, allowing few inhibitions to get in her way, even bearing
her midriff in crop tops in many appearances in opposition to Billy
Monroe’s suit and tie standards. Molly Tuttle was never restrained as a
picker. She could articulate whatever she envisioned, only restricted by
the physical laws of how fast the human fingers can articulate. But now
she’s unafraid as a human, and it’s resulted in some of the best music
being made at the moment within any genre.
The enthusiasm she
has rekindled for bluegrass is conferred to the crowd, and has helped
light a spark under the entire genre. This was in top form when she took
the stage for the 49th Annual Telluride Bluegrass Festival in Colorado
on Friday, June 17th with Golden Highway. A bucket list event for any
bluegrass player, playing on that stage had special meaning for Molly
and her cohorts.
“I envisioned playing these songs on this stage, and it’s a dream come true,”
Molly said, but her set started out a little soggy. Right as she took
the stage, rain started falling, and then pouring. Molly was protected
by the stage itself, but some went scurrying for shelter, while others
fished for their ponchos. Molly Tuttle and Golden Highway kept on
playing.
Though the diehards in the field held out and wouldn’t
miss Molly Tuttle for anything, in the very front rows of the VIP
section, few seats were filled due to the rain. But in a moment only the
Telluride Bluegrass Festival could facilitate, none other than Dierks
Bentley showed up, rain still pouring down, and he plopped himself right
down in the front to take in Molly Tuttle’s set, and show his support.
It was pretty darn cool.
Of course, Bentley is a part-time
Telluride resident, and has a long history with bluegrass himself, first
coming up playing places like The Station Inn in Nashville, and
releasing the album Up on the Ridge featuring The Del McCoury
Band, Alison Krauss, Chris Thile, and The Punch Brothers. Dierks
definitely deserves “good dude” kudos for braving the weather. He also
stuck around for the Tyler Childers set, and while leaving, made sure to
hunt down Molly who was also watching side stage, and convey his
appreciation for what she’s doing.
This isn’t the first time
Dierks has seen Molly Tuttle. A couple of years ago at Telluride,
Dierks, Molly, and mandolin player Sierra Hull performed the song “Tennessee Blues” together.
But
this moment wasn’t about Dierks. It was all about Molly Tuttle and
Golden Highway. Eventually the rain subsided, and they put together an
excellent set that included many of the choice cuts from Crooked Tree, along with a few choice covers, like Rancid’s “Olympia, WA,” and John Hartford’s “Up On The Hill Where They Do The Boogie.”
Strong
kudos also are deserved for the Golden Highway members Bronwyn
Keith-Hynes (fiddle), Dominick Leslie (mandolin), Shelby Means (bass),
and Kyle Tuttle (banjo) who are becoming like their own bluegrass
superstars on the rising swell of Molly Tuttle attention.
Molly
Tuttle definitely had a “moment” at the 2022 Telluride Bluegrass
Festival, and it’s likely to be one of many as she continues to
distinguish herself as one of the top performers in the discipline.
Friday, June 24, 2022
Molly Tuttle Has a Moment at Telluride Bluegrass Fest
Labels:
2020s
,
Republican
Subscribe to:
Post Comments
(
Atom
)
No comments :
Post a Comment