I had thought Jennifer Roback Morse was getting to
the heart of the matter when she pivoted to a focus on the victims of
the Sexual Revolution. Her undoubtedly correct view is that gay
so-called “marriage” did not start with the gays; rather, the Sexual
Revolution prepared the ground beginning in the 1960s.
In The Devil’s Pleasure Palace
(Encounter Books), Michael Walsh explains there is something even more
fundamental at the heart of the matter, and the Sexual Revolution is
only part of it. What lay at the heart of the matter are Cultural
Marxism, Critical Theory and the institute that spawned them, the
Institute for Social Research, commonly known as the Frankfurt School.
You know these better than you think. In fact, their ideas are
coursing not only through all of society, but through your own veins
whether you know it or not.
Consider first psychiatrist William Reich, the man who, in 1936,
coined the term “sexual revolution” in a book of the same name. Reich
was a crackpot of the first order. Eventually even his Freudian
colleagues avoided him like the plague. All his books had to be
privately published. Quite simply, Reich was sex-mad and very likely
insane. Even his photograph in Wikipedia makes him look like an
inveterate masturbator. He massaged his nude patients and in 1920s
Catholic Vienna advocated contraceptives, abortion, and divorce.
Reich
wanted to reconcile psychoanalysis with Marxism and believed that
economic Marxism would fail because of the repressed sexuality of the
proletariat.
Reich was a paid up member of the Frankfurt School who eventually
made his way to the United States, where he invented an orgasm machine
later mocked as the “orgasmitron” by sex-mad Woody Allen in his movie Sleeper. He
later died in prison after conning people into buying his hilarious
machine. The Food and Drug Administration actually burned several tons
of his books.
According to Michael Walsh, Reich was one of the most
influential members of the Frankfurt School. How influential? During the
student riots of 1968 in Paris and Berlin, students threw copies of his
book The Mass Psychology of Fascism at the cops. They scrawled
his name on walls. But, more than that, the Sexual Revolution he
theorized is now the common currency, the lingua franca of our age.
The Cultural Marxists of the Frankfurt School believed economic
Marxism would fail because of the resistance of the working classes.
They believed Marxism could only ever be achieved by undermining the
institutions, all of them. They began what they called the long march
through the institutions. Who would have thought even a few years ago
that the Boy Scouts would go gay? The Frankfurt School would have.
Critical Theory is central to their plan. More than likely, whether
you knew it or not, this is what you got in college and probably even in
high school. This will sound familiar to you, as familiar as the
bromides you now hear from the students at the University of Missouri.
Critical Theory seeks societal transformation through the emancipation
of mankind from all forms of slavery. The slavers happen to be the
Church, the family, and the free market.
When you hear someone badmouthing American history that is Critical
Theory. The incessant intonations against the Crusades? Critical Theory.
The patriarchal family, rape culture, multiculturalism, political
correctness, speech codes; all Critical Theory. The idea is to make you
question everything, and in the questioning, institutions fall.
You can even hear Critical Theory in the mouth of our president, When
he sneers about orthodox Christians, it comes not from his supposed
love of Islam, but his training in Critical Theory and Cultural Marxism,
which he learned from his own father’s bitterness, from Communist
mentor Frank Marshall Davis, from his professors, and from Saul Alinsky.
Obama truly is the most radical person ever to occupy the White House
for he wants to tear down the institutions that have made and protected
our country.
You may never have heard of some of them: Max Horkheimer and Theodor
Adorno, who were inspired by Antonio Gramsci. You may know a few of
their names: Herbert Marcuse, and Eric Fromm. They were wicked men who
hated Western Civilization. Most brought their poison to the United
States during the Second World War, or shortly thereafter.
It is astonishing to think that this overtly Marxist institute
founded to undermine Western Civilization was actually invited to move
its operation to Columbia University in 1935. From this lofty perch,
these men began the drip of poison into American culture.
Michael Walsh tells a highly readable tale of these men, though he
does not begin in the twentieth century, and he does not focus on
sociology, psychology, or the other soft sciences, but rather on art,
specifically opera. He shows how the ground was prepared for the
Cultural Marxists by the artistic nihilists of the nineteenth century.
Walsh was the longtime classical music critic for Time Magazine and before that the San Francisco Examiner.
He has written novels, biographies, and screen plays that have been
made into movies. He began writing about politics in 2007 at National Review under the name David Kahane, and under that name published a counter to Saul Alinsky called Rules for Radical Conservatives.
In case you were wondering, Walsh is a faithful Catholic who is
ardently pro-life and pro-marriage, both of which he addresses in The Devil’s Pleasure Palace. He is overtly religious in this book, arguing that our struggle against Cultural Marxism is a fight against Satan himself.
Walsh understands that the US may have defeated an empire, but we did
not defeat the idea. Marxism is alive and well, hale and hearty, and
practically everywhere; down at the community college, the town hall,
even at the Elks’ Club. It is in the air we breathe.
Walsh is not pessimistic, however. He believes Cultural Marxism is
spent, but, just like the fingernails on a cadaver, may still grow, and
that these people and their evil theory will continue to do damage and
harm souls, and it is up to us first to recognize what is truly at the
heart of the matter, and then to stop it.
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